2/12/08

“Words will follow your path through the garden, on the walkways, benches and walls.  Yet unlike a book, the way in which you read the poem is multidirectional.”

2/12/08

“But all of the artworks have a sense of fluidity and movement — just as I see the earth as existing in a non-static, fluid state.”

2/2/08

“It was the insertion of a barely perceptible ordering of the natural environment.”

2/2/08

“Chinese scholars’ rocks

‘Most served as vehicles for contemplation …
Like landscape paintings,
the rocks represented a microcosm of the universe
on which the scholar
could meditate within the confines of the studio.’”

1/30/08

“…an interface between the world of the living and the world of the dead.”

1/27/08

“I never looked at the memorial as a wall, an object, but as an edge to the earth, an opened side.”

1/26/08

“I had a simple impulse to cut into the earth.”

1/26/08

“What I come to do
is partial, partially kept.”

1/21/08

“Time becomes the object of the works; the form dematerializes, becoming pure surface as you approach it, so that the text, the information, becomes the object.”

1/20/08

If you never do anything for anyone else
you are spared the tragedy of human relation-

ships.